Russian, 1869-1940  Related Paintings of Filip Andreevich Malyavin :. | Portrait | Girl | Portrait | Two Countrywoman | Feme of country |
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Laura Theresa Alma-Tadema
(1852 C 15 August 1909 in Hindhead) was from 1871 the second wife of the painter Lawrence Alma-Tadema and a painter in her own right. A daughter of Dr George Napoleon Epps (who was brother of Dr John Epps), her two sisters were also painters (Emily studied under John Brett, a Pre-Raphaelite, and Ellen under Ford Madox Brown), whilst Edmund Gosse and Rowland Hill were her brothers-in-law. It was at Madox Brown's home that Alma-Tadema first met her in December 1869, when she was aged 17 and he 33. (His first wife had died in May that year.) He fell in love at first sight,and so it was partly her presence in London (and partly the fact that only in England had his work consistently sold) that influenced him into relocating in England rather than elsewhere when forced to leave the continent by the outbreak of the Franco Prussian War in July 1870. Arriving in London at the beginning of September 1870 with his small daughters and sister Artje, Alma-Tadema wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871 and, though this second marriage proved childless, it also proved enduring and happy, with Laura acting as stepmother to her husband's children by his first marriage. The Paris Salon in 1873 gave Laura her first success in painting, and five years later, at the Paris International Exhibition, she was one of only two English women artists exhibited.
SCHALCKEN, Godfried
Dutch Baroque Era Painter, 1643-1706 Dutch painter and etcher, active also in England. He was the second son of Cornelis Schalcken from Heusden, a clergyman in Made, and Aletta Lydius, who came from a famous clerical family in Dordrecht. In 1654 the family moved to Dordrecht, where Cornelis was appointed headmaster of the Latin school. There Godfried was apprenticed to Samuel van Hoogstraten. He completed his training in Leiden with Gerrit Dou and by 1665 had returned to Dordrecht. Schalcken's earliest known works, for example the Doctor's Visit (1669; Germany, priv. col., on loan to Cologne, Wallraf-Richartz-Mus.), are dominated by the influence of Dou and the Leiden 'fine painters'. Like Dou, Schalcken painted small genre pieces with a wealth of painstakingly rendered detail, and his themes and frequent use of artificial lighting are strongly reminiscent of the Leiden master. The six prints known by him, including a portrait of Gerrit Dou and a few portraits after van Hoogstraten, must also originate from this period. Possibly under the influence of Caspar Netscher and Frans van Mieris, Schalcken soon afterwards adopted a freer touch with gentler transitions and a lighter palette and applied himself to painting genre pieces with elegant figures.
Henri Gascar
Henri Gascar, Portrait of Barbara Palmer, 1st Duchess of Cleveland James II of England, then Duke of York (1660s)Henri Gascar (1635 -1 Jan 1701) was a French-born portrait painter who achieved artistic success in England during the reign of Charles II. He painted many leading ladies at court, including several of the King's mistresses. Gascar was born in Paris, the son of Pierre Gascar, a minor painter and sculptor. Gascar came to England about 1674, probably at the behest of Louise de Keroualle, Duchess of Portsmouth, Charles II's favourite mistress. Gascar (or Gascard, as he seems to have spelt his name at first) was already known as a skillful portrait-painter; among the portraits already painted by him was that of Nicolas de Lafond, author of the "Gazette of Holland", painted in 1667, and engraved by Peter Lombart. The patronage of the Duchess of Portsmouth insured Gascar a rapid success in England. His flamboyant style, contrasting with the stolid English approach, seemed to suit the frivolity of the time and he painted many of the ladies of Charles II's court. His lack of attention to detail in the likeness he made up for by the sumptuous draperies and tawdry adornments around the subject. For a short time he became fashionable, and is said to have amassed a fortune of over £10,000. Among the portraits painted by him during his time in England were Charles II (engraved by Peter Vanderbank); Louise, Duchess of Portsmouth (twice - once engraved by Étienne Baudet); Barbara, Duchess of Cleveland (nee Villiers), and her daughter, Barbara Fitzroy; Charles Lennox, 1st Duke of Richmond; Frances Stewart, Duchess of Richmond; George FitzRoy, 1st Duke of Northumberland; Nell Gwyn; Sophia Bulkeley (engraved by Robert Dunkarton); Edmund Verney; and Philip Herbert, 7th Earl of Pembroke. It is stated that the last-named portrait was done surreptitiously for Louise, Duchess of Portsmouth. A portrait by Gascar of James II as Duke of York was in that king's collection.